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Zit was a monthly adult humour comic that ran from 1991 to 2002. It also published in parallel Gutter (later Gutted). Clearly inspired by Viz,[1] it had a fairly long run for a comic of its type. Amongst its contributors was Will Kevans, who drew "Billy No Mates", "Madass Hussein" and "Postman Prat" (not, presumably, related to the Dandy strip of the same name by Lew Stringer).Nigel Maughan who drew Henry Malone He's Always Alone ,Bastard Bin Men , Niel Nob Nose, Tommy Tupperweirdand many others.[2]

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Zit was an adult British comic that was published by Humour Publications UK, beginning with a free sample issue in January 1991, and with issue 1 in February 1991.

It was one of many such comics similar to Viz, and was also of lower production quality than its inspiration. As well as comic strips, it also included photo strips, joke articles, celebrity references, and adverts for phone lines and mail order products, many of a pornographic or sexual nature.

The owner of Humour Publications, Russell Church, attempted to stir up an aggressive rivalry between his publication and the far more successful Viz, but, as Viz editor Chris Donald stated in his autobiography, "Church's magazine was so bad he couldn't give the thing away". In 1993 Church sued another Viz clone, the Huddersfield-based Spit!, for "passing itself off" as Zit. He pursued the case all the way to the High Court, where the judge ruled that nobody "with reasonable apprehension or eyesight" could confuse the two comics. Church was ordered to pay Spit!'s legal bills, which came to around £32,000. Soon after this setback, Church was sued by the British TV presenter Anne Diamond, following a tasteless reference in Zit to her child's tragic cot death. This effectively sank Humour Publications, and Zit continued with a different publisher's backing before vanishing from the shelves in 2002.

A video called Zit The Video was produced in 1993, featuring many of its characters in five minute segments.

An audio cassette tape entitled "An Earful of Zit" was also released in 1993 and was marketed and distributed by PolyGram Record Operations Ltd. It was described on the cover as "fifty minutes of audio madness". It was written by Ged Backland, Leon Horton, Dave Iddon, Paul Dyson and Anthony Smith. It was Produced for Polygram by Leo Cubbin and Ged Backland and recorded at Rainbow Studios in Brighton.